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The Sadeler family were the largest, and probably the most successful of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 16th and 17th centuries, as both artists and publishers. As with other dynasties such as the Wierixes and Van de Passe family, the style of family members is very similar, and their work often hard to tell apart in the absence of a signature or date, or evidence of location.〔Mayor, 417〕 Altogether at least ten Sadelers worked as engravers, in the Spanish Netherlands, Germany, Italy, Bohemia and Austria. Much of their best work was high quality reproductive prints of contemporary artists such as Bartholomeus Spranger (Aegidius II) or the Venetian Bassano family (Jan I and Rafael I), that were important in spreading the reputation and style of these artists. ==The family== The Sadelers were descended from "chasers," engravers of armour, from Aalst. Jan de Saeyelleer or Sadeleer had three sons, all usually called "Sadeler":〔All from Getty, who have a page for each of the 10 main Sadelers〕 Jan I (1550 Brussels - 1600 Brussels or possibly Venice),〔Brussels according to ULAN, Venice? from Bowen, 348〕 Aegidius I (c. 1555 Brussels - c. 1609 Frankfurt am Main) and Rafael I (1560/61 Antwerp - 1628 or 1632). Another Sadeler, Marcus or Marco, was a printer and perhaps publisher who was working in Haarlem in c. 1586-87, and is presumed to be a member of the family, though it is not known where he fits in. Jan I was the father of Justus (ca. 1572 Antwerp - c. 1620) and Marcus Christoph (b. Munich, active 1614 to after 1650). Aegidius I was the father of Aegidius II (c. 1570 Antwerp - 1629 Prague). Rafael I was the father of Rafael II (1584 - 1627 or 1632, both Antwerp), Jan II (c. 1588 - 1665 or later) and Filips (c. 1600, active to 1650). Aegidius II was the father of Tobias, who was active from 1670-75 in Vienna.〔Getty, individual entries〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Sadeler family」の詳細全文を読む スポンサード リンク
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